Our Lady of Pompeii-Extended

Reds, purples, blues and oranges bathe the pews in warm light, welcoming all who enter the church’s soaring sanctuary. On one bitter-cold weekday afternoon, a lone man, a stooped-over neighbor, a well-dressed elderly couple, some tourists with cameras in tow, and the priest who stops to greet them, all walk through the light. Some gaze up to look at the names memorialized in the stained-glass windows. Organ music floats through the aisles, soothing the souls of parishioners and softening the footsteps of even the most hardened New Yorkers.

Our Lady of Pompeii Shrine Church has served this city’s faithful since May 8, 1892 – located first on Waverly Place, then in two other locations, until opening its doors on Carmine Street. Through more than a century of change, this church and the Scalabrinian Fathers, a Roman Catholic society of priests and holy laymen founded in the 1870s, have stood firm in their mission to support the local immigrant communities of downtown Manhattan. Originally created by and for the neighborhood’s burgeoning Italian population, the church today also includes a large number of Brazilian and Filipino, as well as a new group of young Italian migrants. Along with a regular attendance of 600 parishioners and serving over 2,700 families, Pompeii provides space for the Scalabrini Migrant Center, Our Lady of Pompeii Catholic school, and a number of church events, programs, and aides.

Our Lady of Pompeii: Then

“‘One gets a sense of Pompeii’s participation in dramatic events: the immigration and resettlement of thousands of people, raising a new generation in a new place, adding another community to the mix of people in Greenwich Village, establishing a tradition of charity,”’ author Mary Elizabeth Brown writes in the preface of her book, “‘The more my research progressed, the more apt the word “extraordinary” seemed.’”

Her book, From Italian Villages to Greenwich Village: Our Lady of Pompeii 1892-1992 (Center for Migration Studies, 1992), discusses Pompeii’s history, and the changes that have occurred not only around them, but within their walls.

Our Lady of Pompeii was founded by Scalabrini priest, Father Pietro Bandini, as a haven for Italian-Catholic immigrants, to protect them from exploitation and prejudice, and to preserve their culture. Established first as a modest chapel, Pompeii rapidly undertook two moves, the first due to a gas leak explosion, and the second due to construction on the Holland Tunnel and the extension of Sixth Avenue. In 1928, the church completed its final move to Carmine Street, where they erected the new church from the ground up.

Although this final move took place as the Depression loomed, parishioners donated all they they could, recalls Pauline Migliorini. For her family, this meant donating all that they had.

“They had to pledge to build this church, and my grandmother pledged $50,” recalls Migliorini, a volunteer at Pompeii. “Her husband lost his job, but she had to pay no matter what.”

Her grandmother came to New York City when she was 18, met her husband and married him at the church. Migliorini’s mother, herself, and her daughter, Maria, were also married at the church. Most of all, what puts a nostalgic smile on her face are the memories of the 11 o’clock Italian mass her family would attend each week, and watching her grandfather usher during mass. Pompeii was Migliorini’s childhood, her school, and her family.

For Migliorini’s fellow volunteer and parishioner, Frances Illuzzi, the church was her introduction to her new life in America.

“I came from Italy on December 4, 1954. It was a Saturday and my husband took me to the Italian mass the day after I got off the boat,” Illuzzi recalls fondly. From that day, the church has been her home. Her four children attended New York University and St. John’s, eventually moving throughout the city, pursuing pharmacy and sportswriting. After her husband passed away, Illuzzi still had Pompeii.

Starting after the 1890s, Italian-immigrant familes were the core of the church community – a generation of day laborers and factory workers. In the period between the 1920s and 1940s, the children of this first generation along with new migrants, started to buy inexpensive buildings.  According to Brown, the jazz-bohemian life of between the 1930s and 1960s flourished thanks, in part, to Our Lady of Pompeii’s Italian immigrants and parishioners, who “provided venues and real estate” where “creative types” like musicians Bob Dylan and James Baldwin, could gather and perform. Without immigrant-owned Village clubs and restaurants like Mori’s and Arthur’s Tavern, says Brown, the reputation of this downtown neighborhood as an epicenter of the arts, “well, it would’ve been a different story.”

Our Lady of Pompeii: Now

In the 1970s and 80s, the Italian-immigrant population got older, and their children got married and moved away, different immigrant groups took their place. In the 1990s, the church began to offer masses in Portuguese, Spanish and Tagalog, for the growing Brazilian, Filipino and Hispanic communities.

Father Walter Tonelotto has been the pastor at Our Lady of Pompeii since 2013. The Italian-born priest provides religious guidance and sacraments to the neighborhood’s shifting immigrant communities.

“We are here,” he says, “for confessions, counseling, opinions, problems and difficulties.”

Pompeii also offers practical help for immigrants as well, through the Scalabrini Center NYC, which provides citizenship and English-language classes, document translations, low-cost legal assistance and help with immigration applications. According to Father Walter, the center has two paralegals in the office daily, and an immigration lawyer present every Wednesday, to give legal assistance, sign application papers, and prep applicants for naturalization interviews and exams.

Nearly 200 children of a variety of ethnic and religious backgrounds attend the pre-K-8 Catholic School at Pompeii. Students are bussed in from surrounding neighborhoods including Chelsea and Battery Park. And according to school secretary Greg Lubert, some kids travel in from the outlying boroughs, New Jersey, and Long Island with their parents, who commute to the city for work.

“We had a student who graduated last year,” said Lubert, “that would come in from the Poconos.”

“It is a great service to the parents that work around here,” says Father Walter. “They prefer to have their children nearby.”

However, for parishioner, mother and Catholic convert Evelyn Polesni, the church is lacking in the community that others applaud, leading her to send her daughter to Sunday school at St. Josephs on 6th Avenue and Washington Place.

“There are 9,000 different masses,” Polesni jokes, “And each [mass] doesn’t have that many people.”

Polesni, who found the beauty of the church and its open door policy helpful during a period of crisis, is currently helping to implement the Way, or group sessions of parishioners who emphasize the word of God, the Eucharist, the Christian community and evangelism. She believes that the Way can help created a stronger community between the different groups of the church.

This separation is also noted by Brown and Father Walter, who noted that every ethnic group has developed its own festivities within the church, such as the Filipino Poon Hesus Nazareno fiesta, or the celebration of the sacred statue of Jesus Christ in the Minor Basilica of Black Nazarene in the city of Manila, Philippines and the Brazilian’s prayer group every first Friday of the month. Father Demo hall will also be holding Free Public Art Lectures in June on Piero Della Francesca and Michelangelo.

“The church satisfies everyone with their own diversity,” Brown acknowledges the separation but notes that the community still comes works towards unification on some levels.

“On special occasions, like Good Friday, we break it down and come together.”

For the last year has offered two 24-hour streaming services, TeleMater USA in English and Telemater in Italian, to compliment their website and Facebook page. Religious services are live-streamed for those who cannot attend church, plus there is religious programing throughout the day – “conferences and movies of religious character,” says Father Walter. The church is currently working towards providing additional channels in Spanish, Portuguese, and Tagalog.

Even with these changes, Pompeii, in a way, has come full circle. As active church volunteers, Illuzzi and Migliorini observed that more young Italian migrants are coming to the church, much like the Italian immigrants of the early 20th century.
Frances Illuzzi looked back on the years when she was one of those young parents who found guidance and comfort inside Our Lady of Pompeii’s always-open doors.

“I am very grateful for the Scalabrini fathers, the way my family grew up, very good, no problems. Thank God.”

Featured Image: Danielle Elmers (please check out the multimedia I did for the story here!)

Screaming Mimi’s

Walking down Lafayette Street in NOHO, there is a sense of the historic meeting the modern. From the historic Public Theater  and  La Grange Terrace, to the high energy cafe “La Colombe” and Soul Cycle, this section of NOHO caters to all different types of needs.

Included on this strip is Screaming Mimi’s, a vintage clothes boutique owned by Laura Wills. Established in 1989, “before they even coined the term NOHO,” in the space it occupies now (previously spending a couple of years across the street), the boutique witnessed the neighborhood of NOHO change from a “no mans land” to the other end of the spectrum.

“Back then it wasn’t the safest of neighborhoods,” explains Wills. “Now it’s 4 million dollar condos.”

But Screaming Mimi’s still stands tall, with racks of colorful clothing from previous decades. This burst of life becomes even more interesting when one learns that Wills had also opened another store in Tokyo, Japan. In the 80s, Wills explains that vintage clothing, which was popular in the United States, was on the same-level as designer clothing in Japan. After traveling to Japan as a stylist, Wills was blown away by Japanese fashion and felt that she had to open another store there. She kept the store there for 20 years before it was franchised and given to her trusted partner.

When asked about her favorite style or fashion trend, the Japanese designers of the 80s are at the top of the list.

“They were revolutionary at that time,” says Wills, “Those pieces are a part of fashion history.”

Now, Wills continues to work at her one-of-a-kind store. It stands as a little slice of history within the ever-changing New York City landscape; a home for the fashion forward and for the fashion nostalgic.

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©Danielle Elmers

 

The Village’s Narrowest Townhouse

Located on 75 ½ Bedford Street, Greenwich Village is home to a very narrow townhouse. The size maybe tiny, but the history is deep, rich and vast.

With the widest parts being 8 feet 7 inches wide to the narrowest spots being only 2 feet and a total depth of 30 feet, the narrowest townhouse has housed many different types of people, both regular New Yorkers and famous New Yorkers. With three stories and a beautiful red brick facade, the townhouse fits into the historic district like a very tiny puzzle piece of a larger but quaint picture.

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It’s been noted that the house was constructed in 1873, but a story in the New York Times in 1996, claims that the house was built before then. Originally built for Horatio Gomez of the Hettie Hendricks-Gomez Estate during the smallpox epidemic, the house would later be home to a cobbler, a candy factor, Italian immigrants, cartoonist William Steig and his family, John Barrymore and Carey Grant, and a Village resident who would go on to preserve the house in 1952.

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However, the house’s most famous resident was the poet Edna St. Vincent Millay. An openly bisexual Millay lived with her husband, renovated the house and created a studio for herself. There is a plaque on the outside dedicated the house to her and stating that she penned her Pulitzer Prize winning “The Ballad of Harp-Weaver.” This fact has been refuted however.

Millay lived in the house between 1923-1924.

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The Fairy Godmother of Preservation

In 1965, New York passed its historic landmark law, ushering in an era of preservation and grassroots movement. People started to think that the “old” buildings were beautiful and worth fighting for.

However, with every movement comes opposition, and the preservation movement found its opposition in real estate moguls and urban renewal projects. In 1970, the preservation found a formidable foe in Pennsylvania Railroad, according to Alex Herrera, the Director at Technical Services Center at the New York Landmarks Conservancy.

The Pennsylvania Railroad Company owned Grand Central Terminal, and threatened to demolish it in order to build new office buildings. With the companies financial woes, they decided to try to get the maximum revenue for their property. However, the Terminal was historical, and the Landmark Commission decided to say no to this proposition. Pennsylvania Railroad filed a lawsuit that eventually made it all the way to the United States Supreme Court.

Through various testimonies and the liberal nature of the court at that time, preservation was protected and Grand Central Terminal saved from demolition. One of these testimonies, according to Herrera, was God’s gift to the preservation movement.

Jacqueline Kennedy Onassis testified in support of Grand Central Terminal, while also becoming the face of the movement. She was the fairy godmother of preservation. Without her support, Herrera believes that the railroad company would have won.

“I think it was here presence there that the Supreme Court Justices could not bring themselves to rule against her,” Herrera explains, “Even people who were there said when she walked in it was like silence.”

With the support of the Supreme Court, the New York landmark statute is the strongest in the country, leading other municipalities from various cities to copy it. The Supreme Court decision was also significant because it allowed the Landmarks Commission to have more back-bone when going up against big real estate.

“This decision really saved historic preservation in the US.”

*Photo: ©Danielle Elmers

Three Organizations, One Mission

©In NYC, there are three organizations that stand out when it comes to the preservation of Downtown. The Landmarks Preservation Commission, the Greenwich Village Society for Historical Preservation, and the New York Landmarks Conservancy all work together to ensure that the historical architecture and the culture behind each landmark is protected from big real estate and the need for more skyscrapers.

 

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From aiding with landmark applications to giving advice on architectural renovations, these three organizations are involved.

Check out their websites:

GVSHP (Greenwich Village Society for Historical Preservation)

LPC (Landmark Preservation Commission)

NYLC (New York Landmarks Conservancy)

*Photo: ©Danielle Elmers

The Puck Building

The Puck Building, located on Lafayette Street in Soho, is now home to expensive penthouses and the NYU Wagner Graduate School of Public Service, as well as the Sociology department from NYU. With a golden Puck, the mischievous character from Shakespeare’s plays,  watching pedestrians walking by the front doors and a luxurious lobby with a cast-iron fireplace imported from Europe and stain-glassed Puck by the elevators, the Puck building exudes elegance.

However, before it became home to New York City’s elite, the Puck building was home to the Puck Magazine, a satirical publication run by Austrian immigrant, Joseph Keppler. Keppler brought the magazine to fame, poking fun at public officials and helping Grover Cleveland win the Presidency against James G. Blaine, by throwing their influence behind Cleveland. Puck Magazine consisted of political cartoons, with Keppler taking the best cartoonists from imitator magazines. When Keppler died in 1894, his son, Udo, took over the publication, but due to changes in media, Puck would go under. William Randolph Hearst would come to acquire the magazine, quite ironic considering the magazine mocked him constantly.

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“What Fools These Mortals Be” 

In the late 1980s and early 1990s, Spy Magazine, another political satire magazine, would have a short life at the Puck Building.

Now, the Puck Building stands a combination of offices and penthouses, even after exchange with the Landmark Preservation Commission in 2011.

For a more detailed history of the building, please look here.

Photos: ©Danielle Elmers

A Family History

I love the Village. From the diagonal streets that don’t fit the strict grid formation of midtown and uptown to the rustic townhouses that transport you far away from the shiny sky-scrapers, traffic filled roads, and the unnecessary rush that New York City inspires in all of us, Greenwich Village is an oasis. It was a jazz village from the 1930s to the 1960s,  and was also home to the Bohemian artists and other “creative types,” according to Mary Elizabeth Brown, author of From Italian Villages to Greenwich Village: Our Lady of Pompeii 1892-1992. 

However, while famous musicians and artists have graced the streets of the Village, leaving behind a culture and history unlike anything else, the reason the Village means so much to me was that it supported a population of Italian immigrants, all trying to create something for themselves in New York City.

One of those immigrants was my great-great-grandfather, Antonio “Papa” Rossano. Rossano came to America from Sorrento, Italy when he was 24-years-old. He established himself in the Village, working as a landowner and using the real estate savvy that most Italians brought with them back from the motherland. He ended up owning seven buildings. Along with these buildings, Rossano ran a grocery store on 7th Avenue, that became a well-known establishment during Prohibition. After the dry era ended and liquor was once again allowed to be enjoyed by the American people, Rossano turned his grocery store into a liquor store and kept it running up until his death.

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A section of Antonio Rossano’s obituary. 

With the money he made, he was able to donate an altar, two stained-glass windows in memoriam to his wife and son, Raffaella and Enrico,  and church bells, one for each of his children (which totaled to 8), his wife and himself, to Our Lady of Pompeii church. He was also able to turn the family vault at St. John’s cemetery in Queens into a museum of sorts, filling it with family keepsakes to honor those who had died.

Antonio “Papa” Rossano, nicknamed for his paternal affections towards everyone, including tenets, and his charitable nature, is just a slice of my family history in the village, as well as just another man who contributed to the culture of the Village. People like him were the people that made the village what it is; this salad mixer of different peoples who added something to history, no matter how large or small.

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*Photos provided by Janet Elmers and Lois Szerkal.